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I
was born in 1947 in Brittany (Bretagne) the Western
part of France, in Cancale, a small seaside harbor
in the Mont Saint Michel’s bay, famous for
its oysters since the 16th century. Our family
hails from a long line of lighthouse keepers,
harbor’s pilots, small fishermen, peasants,
navy officers, carpenters and profiteers (corsaires).
Family tradition would have us descendants from
the famous 15th century Connetable Bertrand Du
Guesclin (Bertrand Claquin), the head of the French
King’s armies. A glorious story but Bertrand
had no known children.
I graduated from Paris Medical
School in 1975. By that time I had already been
bitten by the bugs of adventure and of public
health. I left France in 1972 and never worked
again in my own country. For the past 30 years
I have been practicing international public
health and epidemiology in the USA, Africa,
South and South-East Asia as well as in Central
Asia. I have been privileged to be part of the
smallpox and of the poliomyelitis eradication
programs. It is my curiosity and deep interest
in other people’s cultures that keep me
going.
I started photography at the
age of sixteen thanks to the generosity of my
(slightly) younger brother who owned a Foca
camera and let me use it. My next camera was
an Asahi Pentax Spotmatic that I traded in 1971
for a Nikkormat and a 105mm. In 1972 before
living for Bangladesh I bought a Nikon F. I
have stayed with Nikon since although I use
range finders as well.
I am a self-taught amateur photographer.
Like the young poet I had to answer myself the
questions R.M. Rilke was asking him: “Go
into yourself. Find out the reasons that command
you to write; see whether it has spread its
roots into the very depths of your heart; confess
to yourself whether you would have to die if
you were forbidden to write. This most of all:
ask yourself in the most silent hour of the
night: must I write?” I believe that I
am a photographer of people and, within this
category, a photographer of “images à
la sauvette”. In French “images
à la sauvette” means “stolen
pictures” or “snap shots”
not “the decisive moment”. But critics
of my photo exhibitions have often commented
on the apparent complicity between the subjects
and me so perhaps I “borrow” pictures
more than I steal them. I am also fascinated
by animal wildlife. Whether I am good or not
at photography is another question and my own
answers as well as the constructive comments
of top photographers have nudged me into trying
better and harder.
There is a French
saying “le moi est haïssable”
(the self/ego is despicable). I started showing
my pictures late in life, 5 years ago, on the
suggestion of Moumina Dorgabekova. I have held
four exhibitions so far, all in Bangladesh where
I lived for a long time:
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“Borrowed
faces: Portraits of Bangladeshi people”,
October 2000 |
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“The
Easter Gallery of the Berlin Wall”,
April 2001 |
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“The changing faces of Shariakandi:
1972-2002”, April 2002 |
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“Surviving
Dreams: the struggling circuses of Bangladesh”,
Chobi Mela II, November 2002. Published as
a book in October 2003. |
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The
experience of exhibitions has been exhilarating
as it has initiated a dialogue with many people
from all walks of life. This website is an attempt
to prolong and to extend it for a greater flow
of dialogue with whoever wants to provide a feedback
and/or ask for more information. The most interesting
e-mail will be shared in the section “In
print”.
The
rest of the website is organized into the following
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News:
an opportunity to inform about updates in
the site and about events of interest |
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Gallery: by themes |
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In
Print: there are several sub-sections: |
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> The book on circus: how to buy it |
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> How to order pictures from the gallery
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> Published Reviews of my work |
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> Significant feedback from viewers |
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Workshops:
I will start organizing photographic workshops
from 2005. This section will tell you about
the what, when and where |
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Contact: how to communicate with me |
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Links: my own highly subjective “Coups
de Coeur” |
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